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When one pays a visit it is for the purpose of wasting other people's time, not one's own.
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二維碼
《理想丈夫》
《理想丈夫》[14句]
- 恭維不會使女人飄然,卻往往使男人喪志。
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- How men stand up for each other! How women war against each other!
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- To love oneself is the beginning of a lifelong romance.
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- It was your ambition that led you astray.
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- No man is rich enough to buy back his own past.
-An Ideal Husband (1895)
沒有人富有到可以贖回自己的過去。
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- When one pays a visit it is for the purpose of wasting other people's time, not one's own.
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- There is only one real tragedy in a woman's life. The fact that her past is always her lover, and her future invariably her husband.
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- No man is rich enough to buy back his own past.
沒有人富有到可以贖回自己的過去。
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- When a man has once loved a woman, he will do anything for her, except continue to love her.
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- It is a very dangerous thing to listen. If one listens one may be convinced; and a man who allows himself to be convinced by an argument is a thoroughly unreasonable person.
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- Do not accept a sacrifice so great. If you do, you will live to repent it bitterly. We men and women are not made to accept such sacrifices from each other. We are not worthy of them.
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- It is not the perfect, but the imperfect, who have need of love. It is when we are wounded by our own hands, or by the hands of others, that love should come to cure us - else what use is love at all?
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- Modern women understand everything, except their husbands.
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- You made your false idol of me, and I had not the courage to come down, show you my wounds, tell you my weaknesses.
你心中的我如此完美,我又如何敢讓你看到我負傷、脆弱的一面?
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奧斯卡·王爾德(Oscar Wilde,1854~1900),19世紀愛爾蘭(當時由英國統治)最偉大的作家與藝術家之一,以其劇作、詩歌、童話和小說聞名。唯美主義代表人物,19世紀80年代美學運動的主力和90年代頹廢派運動的先驅。
生于都柏林醫生家庭。曾就讀于都柏林三一學院。1878年畢業于牛津大學莫德林學院。求學期間受英國作家羅斯金(John Ruskin)和佩特(Walter Horatio Pater)影響,建立起以享樂主義為基礎的唯美主義思想,並成為英國唯美主義的代表人物。1888年發表一組優美動人的童話《快樂王子故事集》(1888)。唯一的長篇小說《道林·格雷的畫像》(1890)曾被斥為”邪書“。他在《道林·格雷的畫像》的序言和論文集《意圖》中系統闡述”為藝術而藝術“的美學觀點,認為作品的價值在于藝術形式的完美,而與社會倫理道德無關。後接連發表風俗喜劇《理想的丈夫》(1898)等,演出後頗受歡迎。1895年《認真的重要》被認為是他的代表劇作。
1885年因被他人告發私生活不檢點判服苦役兩年。後寫長詩《雷丁監獄之歌》(1898)描述自己的心情。出獄後移居巴黎,三年後客死他鄉。作品還有獨幕劇《莎樂美》(1895)、散文《謊言的衰朽》(1889)等。
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